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Papers On Slavery, Racism & Civil Rights
Page 5 of 91
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Non-Violent Civil Disobedience and the Views of Martin Luther King
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This 5 page paper argues in favor of non-violent civil disobedience through the application of the views of Martin Luther King in his 'Letter From a Birmingham Jail.' This paper argues that civil disobedience is a powerful means of social change, but that it must be carried out in a manner that determines the non-violent nature of this kind of social and political discourse. No additional sources cited.
Filename: MHMLKci_.wps
Black Culture and its Presentation in Drama: A Raisin in the Sun and Les Blancs
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This 5 page paper considers the argument that few playwrights have pursued the representation of Black culture theatrically, and then goes on to demonstrate the value of this process through the development of characters and cultural elements in Lorraine Hansberry's A Raisin in the Sun and Les Blancs. This paper not only considers the nature of Black culture, but also the comparative nature of Hansberry's works as it proves to distinguish Black culture and Afrocentrism within a social organization. Bibliography lists 7 sources.
Filename: MHraisin.wps
African-American Poetry/ Civil Rights Era
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7 pages covering the voice of struggle expressed in Black poetry of the civil rights era. Analytical focus is specifically upon the works of such greats as Langston Hughes, Nikki Giovani, and Gwendolyn Brook. Bibliography lists 7 sources, Report also includes samples of two relevant poems (no additional charge).
Filename: Blackpoe.wps
Langston Hughes
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A 5 page discussion of two poems written by Langston Hughes. The poems are 'Dream Deferred' (also known as 'Harlem')and 'The Negro Speaks of Rivers.' In discussing these poems the paper illustrates the realities that they all share, which is essentially the notion of dreams and harsh realities that kill those dreams, in relationship to the African American race. They are also all dreams that inherently speak of strength in the face of those harsh realities. No additional sources cited.
Filename: RAhughes.wps
Langston Hughes and Gwendolyn Brooks / Poetic Visions of Reality
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A 7 page piece that seeks to prove that Gwendolyn Brooks' 'We Real Cool, The Pool Players. Seven at the Golden Shovel,' and Langston Hughes' 'A Dream Deferred' are not mere observations about life on the streets, they are poems that speak of dashed dreams. They were not penned merely to express internal or external suffering observed, but for the love of community. They were written not merely to point out desolation in the community, but to point out the necessity for self-empowerment. The poems spoke of the present, how it relates to the past and its relationship to the future. Bibliography lists 6 sources.
Filename: Langwen.wps
Langston Hughes' 'Mulatto' / The Distortion Of Modernism
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An 8 page paper discussing this important play by Langston Hughes. It shows why the white community saw the play in a distorted way; they were looking through the lens of modernism for reflections of their own dilemmas. Bibliography lists 7 sources.
Filename: Mulatto.wps
Langston Hughes' 'Salvation' / Disillusionment
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A 5 page paper on a short essay by this well-known twentieth century writer. The paper shows how the conflict between Langston's expectations of what would happen at the revival meeting and his aunt's expectations for him caused his ultimate disillusionment. Bibliography lists 1 source.
Filename: Langsalv.wps
Langston Hughes' 'Theme for English B' / 'Coloredness'
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A 5 page explication of Langston Hughes' poem. The paper looks particularly at the difference between the stark dictionary definition of the word 'colored' and how it functions for Hughes as a badge of inferiority placed on him by white people. Bibliography lists 2 sources.
Filename: Hughes3.wps
Modernism In African-American Poetry
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A 5 page analysis and research paper which examines three representative poems from leaders of the Harlem Renaissance to illustrate the principle of modernism in black poetry. These poems are: 'Mulatto' by Langston Hughes; 'Incident' by Countee Cullen; and 'He was a man' by Sterling Brown. The writer first discusses what experts have said regarding the definition of modernism and then examines how these statements can be applied to each poem. Bibliography lists 6 sources.
Filename: 3bpoets.rtf
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